We all appreciate that there is a huge difference between ‘driven’ shooting and ‘hunting’. Whether engaged in rifle stalking or walkabout rough shooting, the most important and fundamental need of the hunter is quarry anticipation and recognition. Actually, it’s more than that. It is often the ability to discriminate between quarry and non-quarry. Protecting the innocent is as important as bringing to book the guilty. There will be many readers who identify with this ability to distinguish between the two and that skill is half of the hunters craft. The other half is being able to spot or hear quarry (or sign) disregarding any other visual or aural disruption. The hunters eye and ear will develop (in time) to tune in to what is out of the ordinary. Another factor is learning how to move about your permission with least disruption. Often there is nothing more satisfying for me than a walkabout with a gun, with no particular plan in mind. Such a walk would be uneventful if I didn’t exercise discretion and stealth. If you keep your wits about you and don’t overtly advertise your presence to wildlife you will have opportunities to either cull vermin or put some meat in the freezer. No matter what your shooting discipline, you can always improve and open up opportunities.
Silence Is Golden
The first golden rule of stalking or rough-shooting is to keep the noise you make to a minimum. Which is why I prefer to hunt alone or with a silent dog. I have a disdain for both loud humans and loud dogs. My old lurcher is trained to respond to whispers, hand signals and flicks of the finger. I wouldn’t be caught dead with a whistle around my neck. While this philosophy works well with the air rifle, it works less so with the shotgun. The airgunner can shoot much in a tight geographic area. The shotgunner might have to range around a bit, for obvious reasons. You only get close to wildlife if you’re silent.
The Importance Of Stealth
There is a huge difference between silence and stealth. You can move silently into a woodland clearing yet make such an immediate physical impact that any creature there will panic and flee. Or you can stalk stealthily toward a woodland clearing, keeping to cover to check if quarry is there. Stealth is about anticipation or realisation of a hunting opportunity and exercising an element of surprise. Think fox. Hunt like a fox.
Shadow & Silhouette
Just as we use shadow for cover, so will quarry. We need to train our eyes to recognise aberrations. Conversely, creatures silhouetted against a light sky or sunlight can be difficult to spot or identify. Again, quarry knowledge gleaned through observation will help the hunter decide if a creature is quarry and if a shot is valid. The rabbit on the stump is an easy shot but with a poor backstop. The brush-tailed form on the high bough. The dove form on the branch? Woodie (legal) or turtle dove (illegal)? See, learn and judge but never get it wrong … please.
Don’t Just Look … See
As most shooters tread the same paths time and time again, they will know their shooting grounds intimately. I try to memorise not just paths and rides but also the scenery that borders them. The dark lump amongst the leaf litter that wasn’t there last time? A huddled rabbit. The glint in the nettle-bed? A curious fox cubs eyes. The new hole in the ditch-side where rats have moved in. The twitch of an ear in the long grass gives away the coney. The grounded pigeon that doesn’t move when you approach? Diseased or injured. Put it out of its misery. Learn to see ‘within’ what you’re looking at.
Don’t Just Hear … Listen
Out in the wood and field we are usually surrounded with sounds, both natural and mechanical. The hunter needs to learn to pick out the noises that matter. There are many. The ‘chack, chack’ alarm call of the blackbird indicating a ground predator (fox or stoat). The scream of the jay telling you that a squirrel is near its nest (you’ll shoot both if you’re lucky). The bark of the muntjac deer. The flapping of the woodpigeons wings amongst the leaf canopy. The scratch of the squirrels claws on the tree trunk or the patter of rain droplets from the overhead branch. We need to listen for the sounds that imply a shooting opportunity is imminent.
Movement & Travel
The are many perfect conditions which help you to move around your land but you are rarely blessed with all of them together. Stalking with a light breeze in your face, a damp mulch beneath your boots, a little light cloud over the sun and plenty of shadow into which to slide when you need to would be bliss! Moving carefully, one eye to the ground ahead watching for trip hazards or twig grenades (twigs always snap with an explosion when you’re stalking!), stopping often to look around and trying not to throw a shadow.
Understanding The Landscape
The landscape and lay out of your shooting permission will throw up opportunities when you study it well. Pigeon flightlines will follow lines of telegraph poles, hedge lines or the edge of a wood. What about that small hill where the crows pass over? Just wait on the right side of it. Learn the difference between a deciduous and a coniferous wood. Animal behaviour differs in either. Know your natural highways. Wild creatures, like water, usually follow the path of least resistance. It’s not unusual to tread a forest ride or a field margin and see a rabbit, stoat, hare, fox or deer travelling towards you. Be ready.
Understanding Track, Trail & Sign
…and there is a difference between each. The track is the print that identifies any species (bird or mammal). Get to learn them and understand what creatures are on your permission. The trail is regular path or run taken by quarry. Learn these and you will know direction of travel, purpose (e.g. leading to crops). It can often indicate the time of travel (fresh tracks and recent spoor). Thus you will also know where to ambush quarry. Sign is the less obvious indicator that your eye learns to notice, such as the fox hair in the barbed wire strand or the scrape where the roe deer slept last night.
Copyright Ian Barnett, Wildscribbler, Oct 2018
NB – All images used on this website are taken by the author.