Writing

The View Through A Leaf-Net

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They say the devil makes work for idle hands; so on a Bank Holiday weekend where all my domestic duties were fully discharged, I happily accepted my pass-out. When will ‘her loveliness’ ever learn that instructing a ‘clear-out’ will result in me unearthing all manner of toys and contraptions that have lain in dark corners, gathering cobwebs. All are, of course, essential to my future survival and my credibility as a country sportsman. The most stinging remark from Mrs B was “But you rarely go hide-shooting any more … your fidgety arse gets bored too quickly!” Now hang on! “I’ve been out with a pop-up hide and a net twice this Spring!” Chest pouting, eyes challenging that pretty visage. “Yes, and both times you were back at home after three hours! I used to have to ring to remind you that you had a home and wife! So how about losing a few of the hide pole sets and all those nets? Just keep what you’ll really need”. Arguing would be futile but I struck a cunning plan. “These are all in good condition. I’m not throwing them out. I’ll sell them”.

So this this morning, I loaded a rucksack seat with pigeon shell decoys, threw in a crow decoy and picked up an old favourite from the ‘hide and net’ stash. Just to make the point, I made some sandwiches and brewed up a flask of tomato soup. I hoisted the three litre air bottle into the motor under my wife gaze and commented “I might need this, it’s going to be a long day”. I ignored her sarcastic comment; “Are you taking a bivouac and sleeping bag?” Totally below the belt, I thought. As I slid into the driving seat I blew her a kiss and said “Don’t bother ringing. The mobile will be off”. Half a mile down the road, the mobile rang. I answered the call, hands-free, looking forward to the apology. “You’ve forgotten your rifle”.

By the time I parked up, my sense of purpose had returned. I’d driven slowly into the estate, all the time watching for pigeon movement. So intently, it was only the forward parking sensors on the motor that prevented an altercation with a telegraph pole. A “who put that there?” sort of moment. I decided, having judged wind direction and seen the birds flightlines, to park up and carry my ‘minimal’ kit in. I don’t like having a motor anywhere near a net set-up, for obvious reasons. Knowing these woods and fields intimately, I knew exactly where I would gain the most ‘net profit’ (sorry … had to be said). I placed my UV-sock covered decoys out onto the maize drillings, added a flocked crow for comfort and set off back into the wood to find a suitable back-drop for my leaf net. Net is probably the wrong description, as it’s a bit special. I bought this clever design some years ago. An imported American pigeon blind from Hunters Specialities. The net is fixed to the spiked telescopic poles. Today, I set it up inside two minutes. With the rucksack seat set up, it was now just a waiting game as I scanned the trees above the decoy pattern for incoming pigeons. But that’s not the point of this piece at all.

I don’t spend anywhere near as much time camped out in the wood or hedgerow as I did eight, ten years ago. Today reminded me how much I used to enjoy just sitting in the ambience of a British wood, listening and learning. I was younger and more patient then. Today, I turned back the clock. The presence of the gun was incidental to the sound and vision I was privileged to enjoy from behind the net today. Three hares scampering on the drillings in some sort of ‘menage a trois’, my decoys attracting their curiosity. The sound of rival chiffchaffs chafing on my ears. The passage of a muntjac buck, oblivious to  my presence until I sneezed. Not a comfortable experience with a head-net on, trust me.

The alarm calls of a cock blackbird chasing away a ground-based threat to its hen and nest. I caught just the merest glimpse of the hunting stoat. The jackdaw clan that saw my decoys first and raised Cain in the trees overlooking the pattern; they left one short in number. The assassination of a corvid never passes unannounced; before long my pigeon set-up had become a black-feathered flash mob. There was a flocked crow and a dead Jake to stoke up the fury but I wanted peace and tranquility. I left the net and the rioters departed as I gathered up the jackdaw. I withdrew the crow decoy too.

I wanted a pigeon or two for the pot. Not a big ask, even though it was a morning session.  A time when I target what I refer to as the ‘elevenses’. Woodpigeons feed heavily and their crops need time to metabolise the gleanings. Many birds roost twice daily. During late morning they will take a siesta, amongst the trees, to absorb the contents of the morning feeding. Before long, I had a couple of woodies in the bag, not to mention a bonus rabbit that crept within range.

The morning had proved fruitful, thanks to the leaf net. With a baseball cap, half head-net and the silent .22 BSA Ultramax, it was mission achieved. And I had some good wildlife photos too. I checked my watch. It was close to two pm. I thought about popping into the pub on the way home (to add some hours) but Mrs B isn’t daft enough not to smell ale on my breath.

“How did you get on?” The usual enquiry. “Oh, a couple of woodies and a rabbit. Lots of photos too!” I replied. “Sounds like a good result. So you don’t need that other gear then?” I was ready for this. “Well, actually … the net was a bit short. I’d have got more woodies with the higher net”.

Copyright Ian Barnett, Wildscribbler, April 2017

 

 

Hobby Writing – Ten Tips On How To Make Your Mark

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Over the past ten years I have been writing monthly for the country-sports press and I have also produced eight books. The first two books were through conventional publishing (a painfully slow process, though in both cases the end product was superb). The six books since have been self-published and include my first novel. The thrill of seeing my first magazine article in print, complete with my own photographs, will stay with me forever. Not least because I got paid for it …and have been, ever since. So far, in the shooting and country-sports press I have enjoyed nearly 500,000 published words and, within those articles, some 3000 or more published photographs. My books (apart from the novel) include either my own photography or drawings derived from my images and (using photo-editing software) re-created as sketches. Writing, sub-editing, processing images, matching photographs or sketches to text, submission … all this has been done while engaged in a full time, high profile management career. I can honestly say (and my editors will read this) that I can count on one hand the amount of times, in those ten years, that I have either had an article rejected or have had to re-edit it myself. For the magazines, I have a formula I stick to depending on the subject. That may be bringing the reader along with me on an expedition or offering (as in this blog) the benefit of my experience in short, sharp advisory context. So, here are my top ten tips for grabbing and holding a readership in a specialist subject. I hope you find them useful.

Love Your Subject

If you intend to write about a sport, leisure subject or hobby you won’t succeed with your audience unless they can sense your enthusiasm. The people who buy specialist magazines do so (and they aren’t cheap) because they are passionate about their interest. That’s why hobby writing is such an interesting sector for the budding writer. Scribbling about something you love should be easy, shouldn’t it?

Know Your Subject

If you are going to offer advice, as an expert, on a particular hobby or subject … ensure that you are an expert. Kidology simply won’t work in the leisure / sport / hobby sectors as there will always be readers who a) think they know more than you and b) do know more than you!  I can spot a fraud a mile away in my own specialisms and I quickly let them know that. I love competition against my writing but only if it’s genuine.

Involve Your Reader

Draw your readers into whatever you are describing. Paint pictures with your words. Mention your reader by personalising the piece. Use phrases such as “you’ve probably guessed what happened next, dear reader” or “you’re probably way ahead of me on this”. Use suggestions or tips offered by readers in your articles and credit them for it. A surge of pride at seeing their own name in print will make them a fan for life.

Never Patronise

Many of your readership will be highly experienced at your hobby too, though perhaps looking for new techniques or ideas. It’s a big mistake to address your audience as complete novices. It’s also a big mistake to infer that where there are two ways of tackling an issue, your way is always right. I often use phrases such as “I know there is another school of thought on this” or “my preference is …” If you want to build a ‘fan’ base (I hate that word!) you need to take a balanced approach between debate and concession.

Quality, Not Quantity

As well as writing on my speciality, I read a lot about it too. And, boy … do I read some drivel! Most magazine editors will ask for a word-count based project. Typically, 800 to 1000 words will fill a page with a couple of photos. 1500 words with five or six good pics will make a two or three page spread, depending on the publication (magazine or broadsheet). Don’t ever, ever make the mistake of trying to stretch a short subject to fill the word-count. You will bore your readers to death. Better to fit two or three subjects into a long article and give value for money to your editor and readers.

Leave Them Wanting

When you plan any magazine article, try to plan an ending that will leave not just the reader but also the editor wanting more. Throw a teaser in either during the text or right at the end, something along the lines of “I’ve seen rabbits behave in many strange ways, but that’s a whole article of it’s own”. Or perhaps, “Oh? That farmer? A story for another day, I think”. It was actually writing advisory articles which didn’t allow me to expand as far as I wanted to that drew me into writing specialist books.

Engage With Your Audience

This is a bit deeper than above (Involve Your Reader). By this I mean step off your ivory tower and actually communicate with your readers. There has never been an easier time to touch base with your readers. The use of social media allows a fairly easy and safe means of chatting with readers. I love getting written letters and writing back … the old fashioned but much more personal way of communicating. There are rules to observe here, though. Never give your address to someone unless you are confident you can trust them. And watch out for ‘trolling’ on social media.

Be Innovative

They say that imitation is the sincerest form of flattery and in the ten years I been writing I’ve been flattered to death! Rather than let it bother me, I’ve accepted that I’ve educated another generation of writers in my particular field. My response is to keep innovating and exploring different methods and techniques. My own readers will appreciate what I mean but for you, the budding leisure or hobby scribe, that will mean searching your mind for angles that have never been covered in your hobby before. Even if they are controversial.

Be Different And Be Controversial

Don’t accept the ‘conventional’ as always being the right way to do things. I have to do a lot of photography with my articles. Without them, the words would mean little. For some country-sports editors that means sending a protog (professional photographer) along on a hunting sortie. No way, said I. To me, two is company, three is a crowd. The two are my lurcher and I. You can’t stalk and hunt with a noisy protog following you around. So how do I get my photo’s? I wrote in one of my books that I had trained my dog to take them. Some people believed it. Honestly.

Re-Visit Successful Subjects

There are some writers in my field who regurgitate the same formulaic, seasonal articles year after year. That is lazy writing and regular readers will spot it immediately (I’ve read this before?). That is not to say, though, that you can’t keep coming back to the same subjects. For instance, if you write about carp fishing you will have limited subject matter. Each article will have to have a USP (Unique Selling Point). The challenge, the water state, the environment, the weather, the company, the misses, the catches. I don’t fish. I shoot. But in one of the publications I write for regularly, the angling articles (when written this way) could tempt me to pick up a rod! I repeat popular articles, for sure. But you would never recognise one from another. Same subject, same formula, different venue … genuinely.

Work With Your Editors / Readers

The key to unlocking a regular spot in a hobby writing sector is to engage with editors who are experts in those sectors. Producing a magazine or broadsheet month on month, or week on week, is a pressurised job. They need reliable and organised writers. When they find someone who delivers unique copy, good photography, on time or (in emergencies) under pressure … a partnership is formed. I owe my own photography ‘skills’ to one particular editor and his advice. Yet I’m sure that even he would admit that I took that advice a step further. Your readers, too, will subtly tell you what you should be writing about. If you are mentioned in the ‘Letters’ page of any periodical, you’ve cracked it. Even if the letter is negative. Because you have the opportunity to respond.

 

Copyright, Ian Barnett, Wildscribbler, April 2016

Ian Barnett is author of “Hobby Writing: Make Your Play, Pay”

Available at http://www.amazon.co.uk/dp/B00IBL5QOK